Buy used Literature & Fiction books online in India
Buy Second Hand Books, Used Books Online In India
NCERT English beehive Class 9 Textbook
NCERT English Beehive Class 9 (CBSE) Good ConditionNCERT English Beehive textbook for Class 9 CBSE board available for sale.The book is in good condition with all pages intact. No missing or torn pages. Very lightly used and properly maintained. Latest CBSE syllabus Clean pages (no major writing/highlighting) Original NCERT print Useful for current Class 9 students
Jane Eyre, Charlotte Bronte, classic
Penguin Popular Classics edition of Jane Eyre by Charlotte Bront. The book is complete and fully readable. Pages show natural yellowing due to age. Binding is intact and all pages are present. A good copy for reading and for lovers of classic literature.
Novel for sale
नाराज़ राहत इंदौरी राहत की पहचान के कई हवाले हैं - वो रंगों और रेखाओं के फनकार भी हैं, कॉलेज में साहित्य के उस्ताद भी, मक़बूल फिल्म के गीतकार भी हैंऔर हर दिल अज़ीज़ मशहूर शायर भी है I इन सबके साथ राजनीतिक और सामाजिक परिस्थितियों की पृष्ठभूमि में इंसान की अंदरुनी और बाहरी कश्मकश के प्रत्यक्षदर्शी भी हैं I राहत की शख़्सियत के तमाम पहलू उनकी ग़ज़ल के संकेतों और प्रतीकों में छलकते हैं I उनकी शायरी की सामूहिक प्रकृति विद्रोही और व्यंगात्मक है, जो सहसा ही परिस्तिथियों का ग़ज़ल के द्वारा सर्वेक्षण और विश्लेषण भी है I
(Book bundle) Sudha Murthy 4 books + Chicken soup + Red carpet
A set of 6 books. Sudha Murthy: The Magic drum, Wise and otherwise, Something happened on the way to heaven, The day I stopped drinking milk. Lavanya Sankaran: The Red Carpet. Chicken soup for the soul series: Kid's soul. All these books are in good condition. If you wanna buy the entire bundle for the chicken soup for the soul series, check out my profile. Happy reading!
METAMORPHOSIS by FRANZ KAFKA
"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With this startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing -- though absurdly comic -- meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."
An Outline History Of English Literature
The Purpose and plan to this little book may easily be gathered from the introductory chapter. Only a few words of preface, therefore, are needed. As i conceive it, a history of English Literature, however brief, should still be a history of English literature in fact as well as in name; and for a history something more is required than a list of author and their books, and even than a chronologically-arranged collection of biographical sketches and critical appreciations. It is true that a nation's literature is made up of the works of individual Writers, and that for the ordinary purposes of study these writers may be detached from their surroundings and treated separately. But we cannot get a history of such literature unless and until each one has been put into his place in the sequence of things and considered with reference to that great body of literature production of which his work must now be regarded as a part. A history of English literature, then must be interested primarily in English literature as a whole. Its chief aim should be to give a clear and systematic account, not of the achievements of successive great writers merely, as such, but of national changes and development. This does not imply neglect of the personal factor. On the contrary, it brings the personal factor into relief; for if each writer is to be considered with reference to literature as a whole, one main subject of enquiry must be the nature and value of his particular contribution to that whole. But it does mean vi that, together with the personal factor, the great general movement of literature from age to age has to be investigated, and that every writer has to be interpreted in his connection with this general movement. To exhibit the interplay of the personal and the impersonal in the making of history is, indeed, one of the fundamentals of the historian's task; and since history, properly understood, is as much concerned with the explanation of facts as with the facts themselves, it follows that a history of English litera
