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NCERT INTRODUCTION TO INDIAN ART PART 2 CLASS 12

NCERT INTRODUCTION TO INDIAN ART PART 2 CLASS 12

₹100 ₹140
29% off

This beautifully written and profusely illustrated catalogue of Pahari paintings in the Jagdish and Kamla Mittal Museum of Indian art in Hyderabad is a major contribution to the study of miniature painting in the Punjab Hills. It Presents in detail many exquisite but hitherto unknown examples of the key centres of painting from the mid 17th to the mid 19th century, and provides sensitive analyses of a number of works of crucial art historical importance. Incorporating the latest research into their discussions of the themes and formal aspects of the 128 works reproduced here, the authors pay special attention to the movement of artists from one state to another within the Pahari region, and formulate ground-breaking accounts of the early phases of painting at courts such as Chamba, Mandi, and Kullu. Particularly noteworthy are their strikingly original insights into the family workshop of Pandit Seu and his highly talented sons, Manaku and Nainsukh, whose paintings and legacy into the next two generations are exceptionally well represented in the collection. They devote unprecedented attention processes, and frequently arrive at fresh and convincing distinction among the paintings produced by various members of a given family workshop. The superb quality of the illustrations, the selection of choice details, and the inclusion of revealing comparative material make this book essential to anyone who studies or enjoys Pahari painting.

2 months ago
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The story of my experiments with truth

The story of my experiments with truth

₹149

It is not my purpose to attempt a real autobiography. I simply want to tell the story of my numerous experiments with truth, and as my life consists of nothing but those experiments, it is true that the story will take the shape of an autobiography....Identification with everything that lives is impossible without self-purification; without self-purification, the observance of the law of Ahimsa must remain an empty dream; God can never be realised by one who is not pure of heart. Self-purification, therefore, must remain purification in all walks of life. And purification being highly infectious, purification of oneself necessarily leads to the purification of one's surroundings.But the path to self-purification is hard and steep. To attain perfect purity, one has to become absolutely passion-free in thought, speech and action; to rise above the opposing currents of love and hatred, attachment and repulsion. I know that I have not in me as yet the triple purity, in spite of constant ceaseless striving for it. That is why the world's praise fails to move me; indeed it very often stings me. To conquer the subtle passions seems to me far harder than the physical conquest of the world by the force of arms. Ever since my return to India, I have had experiences of the dormant passions lying hidden within me. The knowledge of them has made me feel humiliated though not defeated. The experiences and experiments have sustained me and given me great joy. But I know I still have before me a difficult path to traverse. I must reduce myself to zero. So long as a man does not of his own free will put himself last among his fellow creatures, there is no salvation for him. Ahimsa is the farthest limit of humility.Mohandas Karamchand Gandhi,26 November, 1925.

3 months ago
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