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The SAGE Series in Modern Indian History consists of well-researched volumes with a wider scope and is intended to bring together the growing volume of historical studies that share a broad common historiographic focus. The approach that the authors have tried to evolve looks sympathetically, though critically, at the Indian national liberation struggle and other popular movements such as those of labour, peasants, lower castes, tribal peoples and women. The series also looks at colonialism as a structure and a system, and analyzes changes in economy, society and culture in the colonial context as also in the context of independent India. It focuses on communalism and casteism as major features of modern Indian development. The volumes in the series will tend to reflect this approach as also its changing and developing features. At the broadest plane this approach is committed to the Enlightenment values of rationalism, humanism, democracy and secularism. This set includes: Volume 1: Independence and Partition: The Erosion of Colonial Power in India by Sucheta Mahajan Volume 2: A Narrative of Communal Politics: Uttar Pradesh, 1937–39 by Salil Misra Volume 3: Imperialism, Nationalism and the Making of the Indian Capitalist Class, 1920–1947 by Aditya Mukherjee Volume 4: From Movement to Government: The Congress in the United Provinces, 1937–42 by Visalakshi Menon Volume 5: Peasants in India’s Non-Violent Revolution: Practice and Theory by Mridula Mukherjee Volume 6: Communalism in Bengal: From Famine to Noakhali, 1943–47 by Rakesh Batabyal Volume 7: Political Mobilization and Identity in Western India, 1934–47 by Shri Krishan Volume 8: The Garrison State: Military, Government and Society in Colonial Punjab, 1849–1947 by Tan Tai Yong Volume 9: Colonializing Agriculture: The Myth of Punjab Exceptionalism by Mridula Mukherjee Volume 10: Region, Nation, “Heartland”: Uttar Pradesh in India’s Body-Politic by Gyanesh Kudaisya Volume 11: National Movement and Politics in Orissa, 1920–29 by Pritish Acharya Volume 12: Commun
Mumbai Avengers by S. Hussain Zaidi with Gabriel Khan
Five years after 26/11 - the siege of terror in Mumbai that brought the country to its knees - India still seeks justice. The terrorists who planned it have disappeared into the darkness they emerged from and Mumbai seethes with fury. All the Indian government has achieved is the establishment of counter-terrorism committees.But one man will stop at nothing in his quest to avenge the dastardly act. Retired Lt Gen. Sayed Ali Waris of the Indian army masterminds a covert mission with a team of daredevil agents: a sharp policeman, a suave tech expert, a cerebral scientist and two battle-hardened army officers. They strike like lightning even as they are pursued by the Pakistani army and the ISI, combing through every land and possibility in pursuit of the deadly killers. From Sweden to Istanbul, through Dubai, Pakistan and Singapore, they annihilate the perpetrators with single-minded focus, veiling the deaths as natural ones to save the Indian government diplomatic and political embarrassment. The stakes have never been higher.This is a nifty, edge-of-your seat thriller with an intricate plot and jaw-dropping twists. As Waris and his team navigate untold dangers towards a nail-biting climax, will Mumbai finally be avenged?
Mathematics coordinate geometry + dpp ( new book)
In The Future of the New, artists, theorists and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through the joint forces of globalization, digitization, commodification and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new? Combining timely analyses of contemporary art and inspiring visions for the future, The Future of the New attempts to set the agenda for the debate on the function, value and future of artistic innovation. It includes writings by leading theorists in this field, such as Franco 'Bifo' Berardi, Suhail Malik, Benjamin Noys, Hartmut Rosa and Nick Srnicek.
